Sascha Hüttenhain

A ballet dancer in a turquoise leotard leaping into the air with her arms thrown back and her legs outstretched.

Canon Ambassador Sascha Hüttenhain is known for his refined, minimalist style of dance, portrait, fashion and advertising photography. Taken on a Canon EOS R5 Mark II with a Canon RF 24-105mm F2.8L IS USM Z lens at 70mm, 1/125 sec, f/8 and ISO200. © Sascha Hüttenhain

Canon Ambassador Sascha Hüttenhain's spare, elegant and engaging photographic style has brought him a hugely successful career and dozens of commercial and editorial clients. These include internationally established brands, men's lifestyle magazines and national newspapers.

He has studios in the German cities of Siegen and Frankfurt and his diverse portfolio includes advertising, fashion, portraiture, lifestyle, dance and nudes. Whatever the genre, Sascha's work always combines visual creativity and flair with attention to detail and technical precision.

Photography became a passion for Sascha during his childhood, while growing up in the southern part of North Rhine-Westphalia, Germany. "My first camera was a Canon AE-1," he says. "It was very special to me and gave me much joy. I experienced a lot with that camera and, using it, I learned a lot about photography."

Sascha began his career in 1995 by working as a photographer's assistant. For the next five years he continued working for photographers in different genres, building his experience in a broad range of techniques.

"In my opinion, you don't have to study photography at university to become a professional," he says. "You can learn the technique yourself relatively quickly and you have to teach yourself the creative input."

Location: Siegen, Germany
Specialist areas: Fashion, portraiture, advertising, dance
Favourite kit:
A black and white portrait of a ballet dancer in a tutu, en pointe and leaning forward so the skirt’s netting creates a perfect circle.

Ballet is one of Sascha's favourite subjects to photograph and he often chooses a 24-70mm lens. "The focal length range gives me the flexibility to include plenty of space in the frame when I need it," he says. Taken on a Canon EOS R5 Mark II with a Canon RF 24-70mm F2.8L IS USM lens at 36mm, 1/125 sec, f/6.3 and ISO100. © Sascha Hüttenhain

"I mentally prepare for my shoots over a long period of time, so the ideas mature in my head and are later implemented in the project," he says. "You have to be spontaneous, of course, but I like to have a concept that I've come up with before the shoot. That makes my work smoother and more effective.

"Every shoot is a new challenge and the biggest challenges are mostly productions that take place on location. There you cannot estimate the weather and the conditions as clearly as in a studio production. More spontaneous work is often the order of the day."

A black and white portrait of a ballet dancer kneeling down with one foot forward en pointe.

Sascha started out photographing dancers on stage at the theatre but he also enjoys having greater control of lighting and how a model might pose in a studio setting. Taken on a Canon EOS R5 with a Canon RF 10-20mm F4L IS STM lens at 10mm, 1/125 sec, f/4 and ISO200. © Sascha Hüttenhain

A black and white portrait of a ballet dancer framed by the net skirts of a tutu.

"A photo shoot is a joint effort between the model and a photographer, so I like to give the dancers the space they need to develop their own ideas," he says. Taken on a Canon EOS R5 Mark II with a Canon RF 70-200mm F2.8L IS USM Z lens at 105mm, 1/125 sec, f/5.6 and ISO100. © Sascha Hüttenhain

Sascha has no particular favourite genre to work in, and says much depends on the project, the customer or the purpose of a particular shoot. His preferred assignments, however, are those that allow him the most artistic and creative freedom.

When asked about the most important lesson he has learned about running a photography business, he replies: "You need to have time. Photography has to grow and is not created straight away. Photographers usually develop their own style over the years and it is important to make mistakes and learn from them. But in the long run, you will increase your level of ability and progress."

Do you prefer to work in the studio or outdoors?

"I like both. In my studio I have a lot of space and great opportunities, but it's always great to do your work on location. Of course, the background plays a bigger role here and must be included."


What are the main skills you need for your kind of work?

"As a photographer, you don't just have to take pictures. It is important that you get on well with people and instruct them. This is also a lot of fun for me and it's a new challenge every time."


Are you more drawn to the artistic or technical side of photography?

"I see myself more on the artistic side, but the technology also inspires me. A camera is a fantastic tool and you can do great things with it."


Which other photographers have you found inspirational?

"I don't have any direct role models. I find a lot of inspiration in normal life or by chance. I derive many of my photo projects in this way, and these ideas often mature over a long period of time before I implement them."


How much post-production work do you do on your images?

"I try to do most of the work in-camera. Every photo goes through a certain amount of post-processing, but I avoid montages or excessive interventions. For me, the camera is the route to success, not Photoshop. I look at Photoshop as a tool for optimising images, but don't use it to create my pictures."


What piece of Canon kit can you not live without, and why?

"I love working with the Canon EOS R5 Mark II. For me, it offers both speed and reliability. The autofocus, combined with the sophisticated and accurate AF tracking system, makes my job much easier and more efficient, and the camera's handling is further improved by attaching the battery grip. Since I'm a big fan of printing my photos, the high resolution suits me perfectly, as it brilliantly captures details and textures that can be clearly seen and appreciated later in my fine art prints."

One thing I know

Sascha Hüttenhain

"A photographer's ultimate goal should be to find their own signature style. To achieve that, it is important that you do your own, self-assigned work, in order to constantly challenge your creativity and tackle things that you would otherwise not be able to do in your normal work."

Instagram: @sascha_huettenhain

Website: www.huettenhain.com

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